I always try to pick a shade of paper that suits the project, a light blue for a sunny day or muted brown for an indoor piece like Hoodie. I've only used black once before and that was years ago.My latest project is something a bit different for me, a series of very shadowed pieces, with a dark and sexual tone. So I am tossing out my aversion to black paper and going for it...and I like it.
These works are on half sheets and are close up shots; another departure from my more elaborate full scenes. I took my camera into a dark room and just played around with a single light. I'm venturing out from my usual methods; breaking some of my restraints which is the theme I was going for with this series: unrestrained.
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